Divine Enlightenment: The Making of a Mesopotamian King and His Legacy

$39.00

One might speculate as to how and why Ḫammurabi gained the insights to develop the codes. What if Šamaš, who sits atop the stele, really existed? ‍ ‍

The leitmotif of this story is imagining how a benevolent, albeit imperfect god, would have guided a princeling to become the king which he became. This is a coming-of-age story. The setting takes place primarily in Sippar, one of the most preeminent cities in the Old Babylonian period, and where the stele is believed to have been chiseled. 

While the characters and their life stories presented in the chapters primarily are illustrative, many are based on known texts and real individuals. The narratives and cuneiform texts are extensively referenced, including those for the main protagonists of Šamaš and Ḫammurabi.

In Book I, Šamaš introduces himself to the reader.  He then recounts from his own perspective the evolution of Mesopotamia from the very beginning of creation up to the kingship of Sîn-muballiṭ, Ḫammurabi’s father. He opines on the ongoing struggle between order and chaos, the nature of kingship, and his own rediscovery. 

Šamaš vocalizes the desirable characteristics of a king and articulates the importance of establishing jurisprudence as a cornerstone of effective rule. 

Emanating from Sîn-muballiṭ’s dream, a young Ḫammurabi in Book II is summoned to the White Temple (i.e. the E-babbar) in the city of Sippar. The First Šangum, or High Priest and overseer of the E-babbar, escorts Prince Ḫammurabi to the Holy of Holies at the top of the ziggurat where he meets Šamaš for the first time.

Šamaš provides revelations and expectations to Ḫammurabi, who is then commanded to leave the Holy of Holies to learn firsthand of men’s destinies (or šimtums in Old Babylonian/Akkadian).

In Book III, Ḫammurabi meets with temple officials to learn about their own histories and current duties. In Books IV – VI, Ḫammurabi, with his companion Sin-bāni, travel to the city, the country and military encampments to interview ordinary citizens and non-citizens. 

Those individuals reveal the injustices that often define their lives. Codes which address their specific sufferings which King Ḫammurabi later will chisel into the stele and are included in each “interview” chapter. 

Upon the completion of the interviews, Ḫammurabi learns of the death of King Sîn-muballiṭ.   Ḫammurabi shares his doubts about becoming king with Sin-bāni in Book VII. He then returns to the E-babbar to speak once again with Šamaš. Later, when king, Ḫammurabi pays homage to the god that made his life and kingship possible.

Book VIII takes place after many years have passed. While traveling on the Euphrates River with his son, Samsu-iluna, King Ḫammurabi reviews his accomplishments and reflects on the people he encountered before becoming king. Upon arrival at Sippar, Ḫammurabi meets with his old friends before issuing instructions to the scribes to memorialize in stone his authority and the codes of justice.

One might speculate as to how and why Ḫammurabi gained the insights to develop the codes. What if Šamaš, who sits atop the stele, really existed? ‍ ‍

The leitmotif of this story is imagining how a benevolent, albeit imperfect god, would have guided a princeling to become the king which he became. This is a coming-of-age story. The setting takes place primarily in Sippar, one of the most preeminent cities in the Old Babylonian period, and where the stele is believed to have been chiseled. 

While the characters and their life stories presented in the chapters primarily are illustrative, many are based on known texts and real individuals. The narratives and cuneiform texts are extensively referenced, including those for the main protagonists of Šamaš and Ḫammurabi.

In Book I, Šamaš introduces himself to the reader.  He then recounts from his own perspective the evolution of Mesopotamia from the very beginning of creation up to the kingship of Sîn-muballiṭ, Ḫammurabi’s father. He opines on the ongoing struggle between order and chaos, the nature of kingship, and his own rediscovery. 

Šamaš vocalizes the desirable characteristics of a king and articulates the importance of establishing jurisprudence as a cornerstone of effective rule. 

Emanating from Sîn-muballiṭ’s dream, a young Ḫammurabi in Book II is summoned to the White Temple (i.e. the E-babbar) in the city of Sippar. The First Šangum, or High Priest and overseer of the E-babbar, escorts Prince Ḫammurabi to the Holy of Holies at the top of the ziggurat where he meets Šamaš for the first time.

Šamaš provides revelations and expectations to Ḫammurabi, who is then commanded to leave the Holy of Holies to learn firsthand of men’s destinies (or šimtums in Old Babylonian/Akkadian).

In Book III, Ḫammurabi meets with temple officials to learn about their own histories and current duties. In Books IV – VI, Ḫammurabi, with his companion Sin-bāni, travel to the city, the country and military encampments to interview ordinary citizens and non-citizens. 

Those individuals reveal the injustices that often define their lives. Codes which address their specific sufferings which King Ḫammurabi later will chisel into the stele and are included in each “interview” chapter. 

Upon the completion of the interviews, Ḫammurabi learns of the death of King Sîn-muballiṭ.   Ḫammurabi shares his doubts about becoming king with Sin-bāni in Book VII. He then returns to the E-babbar to speak once again with Šamaš. Later, when king, Ḫammurabi pays homage to the god that made his life and kingship possible.

Book VIII takes place after many years have passed. While traveling on the Euphrates River with his son, Samsu-iluna, King Ḫammurabi reviews his accomplishments and reflects on the people he encountered before becoming king. Upon arrival at Sippar, Ḫammurabi meets with his old friends before issuing instructions to the scribes to memorialize in stone his authority and the codes of justice.

praise for the book

I love the idea of making the god speak.
— Barbara Couturaud, Département des Antiquités Orientales, Musée du Louvre, home of The Code of Ḫammurabi Stele
Halpern’s coming of age story, grounded in deep scholarly research and accessible to all audiences, vividly imagines ancient Babylonia through the eyes of a young prince destined to become one of history’s most famous lawgivers. As he journeys through his kingdom, Hammurabi observes and listens to the stories of his subjects, learning what it truly means to rule with wisdom and justice.
— Martha Roth, Chauncey S. Boucher Distinguished Service Professor in the Department of Near Eastern Languages and Civilizations and ISAC, and former Editor-in-Charge of the Chicago Assyrian Dictionary
The scope of The Divine Enlightenment is impressive, its subject extensively researched and sensitively portrayed. Imagining Hammurabi’s coming of age from the standpoint of the god who enlightens him is brilliant and creative. By conveying the personal experiences of characters living during the Old Babylonian period, Halpern brings to life the laws inscribed on Hammurabi’s stele, while communicating the continuing relevance and importance of Hammurabi’s pioneering legal philosophy for us today. I truly enjoyed reading this book.
— Timothy P. Harrison, Director of the Institute for the Study of Ancient Cultures (ISAC) and Professor Near Eastern Archaeology at The University of Chicago
It has been my personal aim to have the Ancient Mesopotamian texts we study come to life, not just by translating and interpreting them but by trying to distill the thoughts and motivations of the ones who wrote them. Halpern’s book goes further into the realm of fiction but that can only make it more vivid and pleasurable for a larger audience. The interaction of men and gods is lively and entertaining and enlightens many a cultural/historical point. At the same time the bibliography shows that his work is based on solid academic work.
— Michel Tanret, Professor of Assyriology and Ancient Near Eastern History at Ghent University